Through his work at Portrait, nestled in a small-town environment just a 25-minute drive outside of New York City, Badami has earned this reputation through sessions with the likes of Madonna, The Early November, Adam Melchor, Jennifer Rostock, Janina Gavankar, The Starting Line, The Dillinger Escape Plan, Mike Patton, Leanne Weiss, Wakey! Wakey!, Trophy Scars, Lenny White (Miles Davis, Stanley Clark, Chick Corea), Mary Wilson (The Supremes), and other bands whose credibility rises from the union of great performance and great sound.

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Whether cutting pop/punk or country, indie rock or metal, Badami focuses on finding the heart of the music and bringing it to life. His interactions with clients during pre-production, his willingness to create rhythm and keyboard tracks where needed, and his knack for putting the best gear into the most amenable ambiance at Portrait are all about focusing on that mission.

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​Considering his own history as a musician, technician, and teacher, his history in helping clients achieve their goals is as impressive as expected.

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A New Jersey native, Badami began teaching himself the basics of recording on a four-track cassette recorder he received as a birthday gift. His parents, noting his talent and ambition, allowed him to convert their garage into a studio, which he used to record his own music as well as that of other bands from the neighborhood.

​“Ever since I was a kid, I was putting on headphones and listening to records,” he remembers. “I was attracted early on to playing drums, but I was listening to the sound too. I always looked forward to getting new records and then seeing who produced them, who engineered them, who mixed them, and who mastered them. I wanted to learn all I could about how that worked, and I understood from the start that you learn that through listening. You can have the best equipment and instruments, but listening and learning is everything.”

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Badami built his command of music and studio practice through studies at the County College of Morris and New York University, where he earned his associate of science degree and bachelor's degree in music technology/percussion with a minor in piano. While pursuing his education, he stayed active in “the real world” too, through playing at clubs, assisting in sessions with celebrated producer/engineer/mixers such as Andy Wallace, Jason Corsaro, and Eddie Kramer, and working at various mainstream New York and New Jersey studios.

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​With his ambitions fueled by hands-on experience, Badami opened Portrait Recording Studios in 1995. His double-threat renown as a player and studio virtuoso immediately drew a steady stream of business toward Portrait. Most of it came initially from the punk world, where he established himself as a dynamic performer, session fixture, and go-to producer for the growing genre. But with a background that included classical piano study, drum corps discipline, and a Louis Armstrong Jazz Award honoring his accomplishment as a high school student, Badami has kept his door open to any and all types of music.

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This philosophy has earned Badami four RIAA-certified gold records, numerous Grammy considerations, and #1 and top-10 slots on various billboard charts worldwide. Currently, in 2024, Badami's work producing, engineering, mixing, mastering, and performing has earned over 280,000,000 streams across all major platforms.

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Still active as a player, through gigs with Jessie Haines, Leanne Weiss, October Rose, and Ace Enders (The Early November/I Can Make a Mess), Badami nonetheless centers his musical life on Portrait. “I’ll never stop playing, and maybe that’s one of the most valuable things I can offer through my studio,” he says. “You can be technically savvy, but it takes somebody who’s been in the trenches to understand the musician’s thought process and passion. Music is about moving people, so with every record I do, I want to ensure that the artist's emotions translate completely to the listener.”

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The best way to do that is how Badami has always done it: through listening, making himself available at every level to the client, and applying what he’s learned and the tools he’s gathered to the joy and challenge of making a great record. “And Portrait is a great place to do that,” he insists. “It’s close to the energy of the city; it’s also a great place for a band to retreat to. It’s a great vibe as well as a great studio. It’s home.”